(Jdrama Review) 35 Year old Girl
Original title: 35sai no Shoujo (35歳の少女)
Screenwriter: Yukawa Kazuhiko
Director: Inomata Ryuichi
Producing Director: Ikeda Narushi
Network: NTV
Broadcast: October 10, 2020 – December 12, 2020
Genre: Mystery, Life, Family, Romance
Episodes: 10
Casts:
Shibasaki Ko – Tokioka Nozomi
Ai Hashimoto – Tokioka Manami
Suzumi Honami – Tokioka Tae
Sakaguchi Kentaro – Hirose Yuto
Tanaka Tetsushi – Imamura Shinji
Tomita Yasuko – Imamura Kana
Ryo Ryusei – Imamura Tatsuya
I’m in the middle of watching this captivating drama in
episode 7 that I really want to write down something about the drama. 3 more
episodes to go :D
Can you imagine being trapped in 35-year-old body but you
are 10-year-old at heart? Nozomi got a sudden accident when she was biking to
buy tofu for her family’s sukiyaki. After the accident, she was in coma state
for 25 years. When she woke up, she was no longer a 10 year old girl but she turned
to be 35 year-old woman. As soon as she
woke up, she was shocked to see her mother who looked like a grandmother for
her. To her surprise, everything has changed while was ‘sleeping’ for 25 years
that she could handle it for some time. The world didn’t turn out as she dreamt
about, and moreover, her lovely family got shattered while she was sleeping. To
make her surprise even worse, her loving and caring mother has turned into a
cold, toxic, strict mother.
What did Nozomi miss for 25 years?
Let me talk about some brief descriptions of the characters
here, since I don’t to spoil too much about the movie.
Tokioka Nozomi
Nozomi from time to time |
Gradually, she had to deal with the life around her—her
messed up family, her dream to be an announcer must be terminated due to her
age, job was not easy to find (even her positive vibe didn’t help at all), her
loving mother turned out to someone different, her kawai little sister was cynical
towards her, her father had a new life after divorce. Everything seemed too
much for Nozomi to handle.
Ko Shibasaki performed Nozomi perfectly. I watched her once
in Galileo drama series. Well, yeah, she had bunch of movies and dramas, but one
thing I could recall her face was in Galileo. I thought she would never use her
voice when she talked in her inner voice. Who would have thought that the first
time she used her own voice was when she cried after Yuto kun, her childhood
friend, yelled at her. Her cry was really pure, just like a 10-year-old girl
cried after being scolded.
I don’t know how long Nozomi finally accepted herself as she
was. She had to finish her pending study in elementary, junior and senior high
school. Not to mention her mental state. One time, she appeared impatient to
grow up, at other times, she seemed to miss some missing moments with her
family and her friends, especially Yuto kun.
Tokioka Manami
I’m not sure if all accuses were right since I was still in
the middle of watching the drama. Lol. To be honest, since it’s Japanese drama,
I’m sure, there must be something behind at the end.
Ai Hashimoto nailed her character as Mana-chan perfectly. Her
grumpy face showed how long she kept her feeling, not only to her family but
also to men whom she dated with. She got too many hidden feelings even though
she blurted out easily. She might miss her mother, her love, her sister, and
the way her family used to be.
Hirose Yuto
Yuto-kun used to be an elementary teacher as well as a
homeroom. However, he quit due to students’ nasty behavior that he couldn’t
avoid. From then on, he worked in a service agency that provided service for
people who need any service—like dating, relatives in wedding or funeral
ceremony, etc. He could be anyone depending on what service people needed. For
Nozomi, this kind of work was like running away from reality. What she didn’t
know was life was not as easy as falling off a log.
Kentaro Sakaguchi surprisingly looked more mature with
moustache and a little beard to show that he was as old as Nozomi (35 years old,
he is 31 years old this year), and he acted brilliantly here. His blurt out to
make Nozomi realize about the surrounding was like speaking up what people
think about the world these days. His love to Nozomi apparently was deeper that
I previously thought. I once was worried to have love triangle among
Nozomi-Yuto kun-Mana-chan. Thanks to the producer not to include this cheesy
topic. Lol.
Tokioka Tae
It was unbelievable to have such power to keep staying at
Nozomi’s side for 25 years. She must have great persistence, strength, and
belief that her daughter would wake up someday. But 25 years was no joke. No
wonder that her family got messed up, not to mention her changing characters,
from gentle, soft spoken to firm and cold. Her overprotective state was a bit
annoying that you may think that she both had complex traits.
So, whose fault was it for Tokioka’s shattered family? Was
it Tae-san, or Nozomi? Tae-san persisted that she never regretted whatever she
did—taking care of Nozomi and divorcing her husband. She seemed too full of
herself. I wonder what or who could touch her deepest heart?
Suzuki Honami is as pretty as I first knew her for the first
time in Tokyo Love Story in 1991 as Rika Akana. Anyone remembered her there? This
drama, somehow, showed that her acting aged radiantly. The way she pursued her
lips, pouted, somehow, similar to Nozomi and Mana-chan. No wonder that she was
selected as their mother. I just hoped
that Tae-san would endure until the last episode. I can’t accept if anything
happened to her at the end.
Imamura Shinji
I’ve seen Tanaka Tetsushi a couple of times in detective or
police dramas/ movies. But I also have seen him in some family dramas. But the
remained memory of me watching him is in Bloody Monday as Haruma Miura’s father
and Bitter Blood, in which his character was about to get trapped in a marriage
fraud (if I’m not mistaken :D). His character seemed developed from episode to
another. I was waiting for him to blurt out what he had been hiding in his
hart, towards his ex-wife, his present wife and his son (from his present
wife). I felt kinda relieved when it was time for him to speak up.
A-used-to-be happy Tokioka family |
This drama has been in my list as soon as I read the synopsis since I thought it was based on book by Keigo Higashino sensei. I was mistakenly regard this as Kiken na Venus. LOL. But I was happy to watch grow in each episode. The drama has a romance as the genre but it’s not a kind of fluffy cheesy drama that is full of romantic scenes. Words of compassion and forgiveness are quite typical in Japanese dramas, but this one might touch your heart deeply. You can give it a try as my highly recommended drama in this early year of 2021.
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